Ramón Pagayon Santos (b. 1941) belongs to the New and Experimental Music group of Filipino composers. He initially trained in Composition and Conducting at the University of the Philippines, and earned his Master of Music (with distinction) and Ph.D. degrees at Indiana University and State University of New York at Buffalo, respectively. He was a full fellow at the Summer Courses in New Music at Darmstadt, Germany, and undertook post-graduate work in Ethnomusicology at the University of Illinois under grants from the Ford Foundation and the Asian Cultural Council. He has been awarded Artist-in-Residence fellowships at the Bellagio Study Center and the Civitella Ranieri Center in Italy. He led the ACL as Chairman in 1994–1997, as well as elected Vice President of the International Music Council at UNESCO from 2001–2005.
As a composer, his works have been conceived along concepts and aesthetic frameworks of Philippine and Southeast Asian artistic traditions, featuring elements from western and non-western sources, including various combinations of orchestral instruments, Javanese gamelan, Philippine indigenous instruments, as well as different styles of vocal production. In the field of Musicology, he has undertaken research not only in Philippine and Asian contemporary music, but also studied Javanese gamelan music and dance and Nan Kuan, and engaged in continuing field studies of Philippine traditional music such as the musical repertoires of the Ibaloi, the Mansaka, Bontoc, Yakan, and Boholano.